The exhibition is up and the artist talk was well received. Currently producing a remastered version of the artist talk, since the broadcast had ended abruptly. Everyone involved in the broadcast will receive a high definition copy of the talk. Thank you to everyone who participated, and if you have not been to the exhibition, come visit before the end of the 17th.
Colin Stokes brings up another point in gender identity and the influence film and entertainment has in our cultures. Checkout the video below and tell me what you think.
Marcus also does photography commercially. Often times, you can see her make behind the scenes shots such as these on her Instagram and facebook.
Once more I have the pleasure to have a colleague and friend, Joshua Rashaad McFadden, to join me on this exhibition. As mentioned before, Joshua Rashaad McFadden is in Atlanta best artist whose work focused on civil rights and social justice. Specifically, McFadden focused his work on the theme of black identity in American culture. This overall concept is embodied in his past three bodies of work. One focusing on colourism, another on Selma, and his recent body of work which relates to the masculine identity of black males and their “father figure” influences.
Recently, McFadden has been exhibited in exhibitions in New Jersey and has several more being shown in Munich, Germany. His recent body of work, come to self hood, had one the international Photography award in late 2016. It won first place in the people and family category. McFadden was also written in time magazine and was recognized by them as one of the 12 African-American photographers you should know. McFadden has pursued to establish his career in the past five years through these bodies of work and per Syse to further a Stabley Schomann himself in the final hearts world.
Through his past merits, McFadden was also awarded several awards both national and international and was recognized by LensCulture as the “top 50 emerging talent in the world” in 2015.
His current series, come to self-worth, is an exploration and reflection upon the identities of black man in the process in which they go through to achieve their identities. Hey series of portraits of the individual black male subjects are complemented with images of either their fathers or father figures who have been an inspiration and a major influence to them achieving their identities. In each comparison, there is a written essay from the subject describing the father figure in some capacity. Each one is not only different in nature but also addresses a different question from a series of questions the subject had taken in a survey before being photographed.
The image and portrail of black men in media has improved from its initial presentation earlier in the 20th century, however, the overall image of the black male has been short of respectful in some arguments. McFadden six to bring attention to not only the positive imagery of black men through their fathers but also read the racks are attention to what defines a man and what is “the ideal black man “.
“I am captured climbing up walls, crawling into window panels, hanging from doors, whereas my family members sit at the kitchen table, watch television, and maintain there daily lives”
Shoccara Marcus is an Atlanta-based photographer both, commercially and for the fine arts. She is also a dancer and choreographer who incorporates dance with her photography. She has produced several bodies of works, each with differing themes, but one particular body I became interested in was the series, “Choreography of my past”. In this series, Marcus returns to her home for a short time after being independent for about a decade. While returning home, she is confronted with several challenges, including the challenge of dealing with the perspective of her childhood self, which still existed in the eyes of her family, as opposed to the adult that she is.